You sense it when the main model leaves the runway. You can notice it. That initially look should the opening salvo — the look that sets the tone, that characterizes desires. Like the principal section in a novel, the few lines that influence you to need to turn the page and see what's next.
So when the main model showed up on the Lanvin runway — the introduction of Olivier Lapidus after a fast couple of periods of turnover in charge since the stunning rejection of Alber Elbaz, the originator who restored the dusty heritage mark — her look was a notice sign that what would take after was presumably not going to be great.
Most lady welcome the need of minimal dark dresses. They are flexible and safe. Done well, they can be chic. They can influence a lady to feel like a gamine — like Holly Golightly, straight from "Breakfast at Tiffany." With the correct blend of frill, somewhat dark dress can be as flexible as a man's dim suit.
Truth be told, it was horrendous.
It wasn't astonishing or delightful or even fiercely baffling. In any case, it wasn't the kind of gathering that detonates calamitously, similar to a firecrackers show that flares crazy, on the grounds that there wasn't even any fire. There was no enthusiasm. Just a pitiful, minimal dark dress.